Louis Armstrong (1901-1971) is widely regarded as one of the most innovative and influential figures in jazz, known for both his trumpet improvisations and his distinctive singing voice. He also broke down numerous racial divides in the music and entertainment worlds, becoming the first Black performer to get featured billing in a major Hollywood film ("Pennies From Heaven," 1936) and the first Black host of a national radio show (Fleischmann's Yeast Show, 1937).

Born in New Orleans in 1901, Armstrong grew up impoverished in a racially segregated city. He dropped out of school in fifth grade to work, and developed a close relationship with a local Jewish family that gave him odd jobs and nurtured his love of music. By the age of 11, Armstrong wound up in the Colored Waif’s Home for Boys, where he joined the band and studied the cornet in earnest. Upon his release from the home in 1914, he began working as a musician on Mississippi riverboats and other local venues. His reputation skyrocketed, and by the early 1920s he moved north, performing and recording with jazz bands in Chicago and New York.

Throughout the 1920s and '30s, Armstrong made dozens of records with his own and many other ensembles, toured extensively, and began performing in Broadway productions and movies. After some business and health setbacks, and in response to changing musical tastes, Armstrong scaled his group down to a six-piece combo in the 1940s and resumed touring internationally, recording albums and appearing in movies. Some of his biggest popular hits came in the later years of his career, including "Hello Dolly" (1964) and "What A Wonderful World" (1967). His grueling schedule took its toll on his heart and kidneys and in 1968 he was forced to take time off to recuperate, but he began performing again in 1970. Armstrong died in his sleep in July 1971, just a few months after his final engagement at the Waldorf-Astoria in New York.

Armstrong and his fourth wife, Lucille Wilson, purchased their home in Corona in 1943, shortly after they were married, and lived there for the remainder of their lives. After Lucille’s passing in 1983, she willed the home and its contents to the city of New York, which designated the City University of New York, Queens College to administer it. The house was designated a National Historic Landmark in 1976 and a New York City Landmark in 1988. The archives became accessible in the 1990s, and the historic house opened for public tours in 2003. It also now serves as a venue for concerts and educational programs.

Albert Johnson, known by the stage name Prodigy, gained fame as a member of hip-hop duo Mobb Deep. Meeting Havoc while at the High School of Arts & Design, the two started recording together in Queensbridge. The duo's work reflected the climate of New York City in the late1980s and early 1990s, and they were among those responsible for the revival of the East Coast hip-hop scene.

James Edward Heath (1926 – 2020) was a jazz legend who raised his family in the historic Dorie Miller co-ops in Corona and taught at Queens College.

James “Jimmy” Heath was born in Philadelphia to Percy Heath Sr. and Arlethia Heath. He attended Walter George Smith School in South Philadelphia and graduated from Williston Industrial School in Wilmington, N.C., in 1943. His father was an auto mechanic who played the clarinet, performing on the weekends, and his mother sang in a church choir. His sister Elizabeth played piano; his older brother Percy Jr. played violin and bass; and his younger brother Albert “Tootie” Heath played the drums. As a teenager, Heath took music lessons and played alto saxophone in the high school marching band. He also played in a jazz band called the Melody Barons and toured with the Calvin Todd Band in 1945, before joining a dance band in Omaha, Nebraska led by Nat Towles. Small in stature (standing 5'3"), he was unable to serve during World War II, because he was under the weight limit. In 1946, he formed his own band, which was a fixture on the Philadelphia jazz scene until 1949. Heath's earliest big band (1947-1948) in Philadelphia included John Coltrane, Benny Golson, Ray Bryant, Specs Wright, Cal Massey, Johnny Coles, and Nelson Boyd. Charlie Parker and Max Roach sat in on occasion. In 1959, Heath briefly joined Miles Davis's group, replacing John Coltrane, and also worked with Kenny Dorham and Gil Evans. Heath recorded extensively as leader and sideman. During the 1960s, he frequently worked with Milt Jackson and Art Farmer. The biological father of R&B songwriter/musician James “Mtume” Forman, Heath met his eventual wife, Mona Brown, whom he married in 1960; they had two children, Roslyn and Jeffrey.

In the early 1960s, encouraged by friends Clark Terry and the Adderley brothers, the Heaths purchased an apartment in the Dorie Miller Cooperative Housing in Corona, where the Adderleys and Terry also lived. In 1987, Heath became a professor of music at the Aaron Copland School of Music at Queens College. There, he premiered his first symphonic work, "Three Ears," with Maurice Peress conducting. In 2010, his autobiography, "I Walked With Giants," was published; it was voted Best Book of The Year by the Jazz Journalist Association. He recorded three big band records -- "Little Man Big Band," produced by Bill Cosby, "Turn Up The Heath" and "Togetherness Live at the Blue Note." Heath received a Life Achievement Award from the Jazz Foundation of America and the 2003 American Jazz Master Award from the National Endowment for the Arts. He was nominated for three Grammy Awards and has received three honorary doctorate degrees. He was also the first jazz musician to receive an honorary doctorate in music from the Juilliard School.

Milton “Milt” Hinton (1910 - 2000), a long-time resident of Addisleigh Park, was a legendary bass player who played with many of the greats of jazz and pop. He was also a skilled photographer who took nearly 60,000 negatives of performers on the road or in the studio, which have been exhibited around the world.

Milton John Hinton was born in Vicksburg, Mississippi, and grew up in Chicago. With his mother’s encouragement, he began studying the violin, but pivoted to string bass because opportunities for Black violinists were limited. After working for several years with a jazz band in the Chicago area, Hinton was hired by the Cab Calloway Band in 1936. With the Calloway band, he became one of the first jazz bassists to be featured on records as a soloist. During his 60-year career, Hinton, nicknamed the “The Judge,” performed and recorded with many legendary musicians including Count Basie, Duke Ellington, Louis Armstrong, Benny Goodman, Erskine Tate, Art Tatum, Jabbo Smith, Eddie South, Zutty Singleton, Cab Calloway, Eubie Blake, John Coltrane, Quincy Jones, Wynton Marsalis, Branford Marsalis, Paul McCartney, Andre Kostelanetz, Guy Lombardo, Frank Sinatra, Bing Crosby, Billy Holiday and Barbara Streisand. He was one of the most recorded artists in history, as estimates of the records and albums he recorded range from 600 to well over 1,000. At the height of his popularity, Hinton entertained presidents and dignitaries at the White House; served as chairman of the International Society of Bassists, The National Association of Jazz Educators and the Jazz Panel of the National Endowment for the Arts; and held charter memberships in the Duke Ellington Fellowship at Yale University and the Newport Jazz Festival Hall of Fame.

As a photographer, he published two lavishly illustrated volumes of memoirs ("OverTime: the jazz photographs of Milt Hinton," 1991, and "Bass line: the stories and photographs of Milt Hinton," 1988), and his still photography and home movies were featured prominently in Jean Bach's 1995 jazz documentary, "A Great Day in Harlem." Hinton's approximately 60,000 photographs now comprise the Milton J. Hinton Photographic Collection.

Hinton died on December 19, 2000, in Queens, where he had been a pillar of the St. Albans community for many years.

Harry M. Douglas (1919 – 1999) sometimes spelled as Douglass, was the lead singer of The Deep River Boys, an American gospel music group active from the mid-1930s and into the 1980s. Douglas lived on Sidway Place in Locust Manor/St. Albans Queens and in his later years was dedicated to community service in his Southeast Queens neighborhood.

With The Deep River Boys, Harry Douglas delighted audiences around the world for more than 30 years, and was featured on nine albums and many singles released by the group. The Deep River Boys performed twice at the White House and gave a Command Performance for Her Majesty, Queen Elizabeth II. In 2019, their 1941 single "They Look Like Men of War" was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant".

Douglas was elected Vice-President of the Merrick Boulevard Local Development Corporation at its formation in 1980 and served in that capacity until his death. He was also instrumental in organizing the Springfield Gardens Business Merchants Association. He worked closely with the men and women of the 113th Police Precinct on a regular basis to address problems that confronted the community. Due to his leadership, grants for neighborhood improvements were provided by Federal, State and City agencies. As the architect of Project Lamb, he was responsible for the annual installation of holiday lights on the Merrick Boulevard shopping strip. Through his persistence under the banner of the Merrick Boulevard Local Development Corporation, Harry Douglas won approval for the Locust Manor Civilian Patrol and for the two neighborhood redevelopment contracts awarded to provide security and safety equipment for 46 merchants from Archer Avenue to Springfield Boulevard.

James Alan Bland (1854-1911) was an African American musician and composer of popular songs, including "Carry Me Back to Old Virginny," formerly the official state song of Virginia. Bland was born in Flushing to educated, free African American parents. While attending Howard University he became enthralled with the banjo and learned to play it. In the late 1870s, Bland began his professional career as a member of the first successful all-Black minstrel company, the Georgia Minstrels. Later he worked in minstrel shows throughout Europe and the United States, becoming the highest-paid minstrel singer in the country. He performed for Queen Victoria and the Prince of Wales at Buckingham Palace and President Grover Cleveland and Gen. Robert E. Lee in Washington.

After living for 20 years in Europe, Bland returned to the U.S. in 1901. His fortunes declined as minstrel shows were replaced by vaudeville, and he died alone of tuberculosis in Philadelphia in 1911. Though Bland was buried there in an unmarked grave, a memorial was later erected by the American Society of Composers, Authors, and Publishers (ASCAP). He was inducted into the Songwriters Hall of Fame in 1970.

The James A. Bland Houses comprise a 6.19-acre development with five, 10-story buildings featuring 400 apartments. The public housing complex, which was completed April 30, 1952, is home to approximately 878 residents.